55 in Concrete


55: Music and Dance in Concrete is a modular, site-specific work created by composer Wayne Horvitz in collaboration with Yukio Suzuki (choreography and dance), Yohei Saito (video artist) and Tucker Martine (producer / engineer).

Designed to highlight the unique visual and acoustic elements of chosen sites, the piece is grounded by an electronic score, comprised of fragments from 55 composed short motifs for chamber music, and 55 pieces from various invited improvisers.

The 110 fragments were recorded, and presented, at Fort Worden in Port Townsend, Washington. The Fort’s architecture, including concrete bunkers and a massive cistern, created auditory conditions that shape the piece from foundation to performance.

For the Fort Worden live performance, visitors were able to walk through the concrete structures and experience music, video and dance in the darkened spaces. The 360 degree view of the Olympic and Cascade mountain ranges at the site also lent natural beauty to the dance and video aspects of the piece. (See calendar for a full list of events)

Horvitz has long been fascinated with the unique tunnels and chambers that make up the military fortification system of the circa-1900 army base, including the acoustic qualities of the Harpole Cistern. Nearly two-hundred feet in diameter and fourteen feet deep, the cistern was originally built as a water supply system. Now empty, the cistern features a 45-second reverberation time, one of the longest known natural reverb times of any interior space.

“I have been walking the bunkers and tunnels of Fort Worden since moving to Seattle from New York in 1988,” said Horvitz, “but it wasn’t until I found myself performing in the pouring rain with Yukio Suzuki (at the Portland Museum of Art’s TBA (Time Based Art) Festival in 2010) that I finally had a vision of exactly what I wanted to do with them.”

Immediately after completing a residency at Centrum in Port Townsend, Mr. Horvitz and Mr. Suzuki developed the work at Arizona State and created a new version of the piece utilizing spaces within the Arizona State University Museum of Art.

55: Music & Dance in Concrete was premiered at Fort Worden as part of Centrum’s Reverberations series, in addition to the Arizona State University Art Museum. Additional site-specific versions of the piece occured in Seattle presented by Rainier Beach Merchant Association’s (RBMA) Art Walk Rainier Beach, in association with SEEDArts.

55: Music and Dance in Concrete received initial funding from MAP Fund, a program of Creative Capital, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, as well as support from Arizona State University, and RBMA.  The project is supported by the Japan Foundation through the PerformingArtsJAPAN program. The Centrum Artist Residency program is made possible by support from the Washington State Arts Commission and the Washington State Parks and Recreation Commission. Additional support was provided by 4Culture Site Specific.